Tag Archives: Art

“But there is always a November space after the leaves have fallen…”

Dark nights and solitude- apart from a sleeping cat and a humming wood stove- are just the right conditions for writing introspective blogs and getting lost in wandering tunnels of thought. I’ve had quite a few magical , seasonal experiences lately but it’s funny how, sitting here wondering where to begin, things suddenly surface that I hadn’t consciously dug up. It can take me ages to write a few lines because I keep half remembering things and looking back at old posts to see what I was thinking about in other Novembers, other nights by stoves; times when writing about my day seemed so trivial in the face of world events or the guilt/ frustration at being ok, but feeling not ok, made writing a personal blog seem self-indulgent (well so it is) and even embarrassing. This week there have been more shootings in Texas, half the world is discussing climate change in Bonn and the rest are chucking plastic into the oceans, forgetting that there is no such thing as “away”. It’s easy to be overwhelmed , stunned into silence and I’m feeling uncomfortable because what I wanted to write about was the water and the stars and and maybe even try to sell you some cards. I’m going to hold on to the naive idea that sharing some beautiful, joyful things somehow leaves a tiny bit less space for the evil, negative ones, I hope that’s ok? Just for now while we keep looking for answers to the bigger things?

My fuzzy picture and this superb one by James Kirby were taken on the last weekend in October when I dragged myself out of my nest, with a tin of warm-from- the- oven banana bread, to take part in a Halloween swim in Derwent Water organised by Suzanna Cruikshank . I didn’t know anyone taking part, I only knew Suzanna in the virtual world, it was cold and I’m shy but it was more than worth the effort. The jetty at Ashness was all decorated with fairy lights and tow floats with torches inside so it glowed beautifully as the light faded and we shivered in to our wetsuits . When it was really dark and everyone was ready we tiptoed in to the black water with our illuminated floats and glow sticks and swam out into smooth icy water. In the photographs there seems to be a woman with my colour hair and many, many chins, looking like an overstuffed inner tube but I have no idea who she was, I was too busy drifting in the dark being a polar bear or maybe a water spirit.  The Great Bear in the sky above us and the half moon in the trees towards Watendlath were the perfect finishing touches. I thought I’d be scared, too cold to use my hands or unable to keep up but the whole experience was quite gentle and atmospheric- much easier to forget about the DEEP and possible (probable) monsters, when you’re in the dark, quietly chatting to someone in full halloween makeup and a miniature top hat. I had such a good time and though I will never recognise the people I shared that experience with again ( face paint/pitch dark/ brain freeze)  I don’t think any of us will forget it. I suppose in its own way it was a kind of virtual reality chat room and joking aside there is something almost spiritual about being in those elements, in the dark – celebrating the change of seasons, and the beginning of winter.

Yesterday after 4 days of migraine ( not connected to the swim) and wondering if I might die in the night and be eaten by the cat, I stumbled up the lane to stand in the beck hoping the cold would do something to shift the headache- I think it did a bit but it might have been all the pills. Migraines really are peculiar things ( I’ve had cravings for cinnamon lately as well as Brinjal pickle sandwiches- symptom or cause?)  and the moment when you realise it’s leaving is such a relief that there is an almost manic burst of energy. I walked around the valley, being shouted at by a territorial wren who followed me for ages, hopping along the drystone wall beside the path. My camera ran out of batteries so I just stood and looked at all the fields striped and cross hatched with long diagonal shadows, the low sun painting the fells orange and sending all the craggy bits into high contrast, like an over edited Instagram filter. How to capture that in words or paint or pixels? I certainly don’t have the skills. Anyway, it felt amazing to be alive again so I made cards, lined cupboards doors with recipes from the Guardian, sawed some wood, wrote letters and listened to Northern Lights and the Book of Dust until late in to the night.

I’m pleased with the cards, they come in little boxes of 10 and are wintery rather than christmassy so hopefully much more versatile – I like cards that make you want to keep them, use them as bookmarks or tie them up in with ribbon in a box of secrets, not the sort chosen in haste and sent out of duty, just to be recycled in January. You can find these in the card section of my website.

I’ve been to post orders today ( including this handsome owl)  and changed my third wheel in just over a week. I think my car is testing my self reliance by waiting until Rupert is in Nepal before getting a puncture in 3 out of 4 tyres. It’s made me realise how important it is to know how to do these things and my blue curses and fury today were tempered by a little smug self confidence in my own abilities. Anyway, the novelty of my new skill has worn off now so unless F1 want give me a pit stop job I’ll be very happy never to have to change a wheel again thank you.

It’s been a rambling, mash up of a blog post and I don’t blame you if you left to put the kettle on hours ago. I think I have in mind the fact that 10years is a long time to be sending these musings out in to the world and the way I feel about it has changed, does change… ten Novembers, it’s not surprising really.

Enjoy November, its brittle days and long nights- time to read and listen and dream.

Reading : Hag -Seed – Margaret Atwood   Listening to : The Subtle Knife – Philip Pullman

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Water, Trees and Make Believe

Last week began with two day’s wonderfully frantic, bank holiday bookselling at Sam Read’s Grasmere and ended with a magical walk through ambrosial woodland; complete with red squirrel and iridescent purple beetles (and, less romantically, an evil sheep tick which wasn’t discovered until bath time!). In the middle of the week I took a spur of the moment trip to Bristol to visit my daughter. We decided that we needed a bit of ancient perspective on recent events so we drove to Avebury, always a favourite place since the children were small, to wander around the stones barefoot and invent our own ritual for peace, love and good luck, which involved making a charm out of bits of found wool and flowers to hang in the Clootie Tree. The tree was festooned with ribbons, shoelaces, pieces of string, bells, paper notes and one or two “natural” offerings like ours. There’s a long tradition of this kind of “wishing tree” in British folklore and it is also interesting that the practice is found in some form all over the world. I thought the tree looked beautiful and it felt very serene sitting underneath in the baking Wiltshire sun, while some of the charms jingled and flapped gently in the breeze. It’s a fine aesthetic line though…is it harmless decoration and votive offering or unsightly,non biodegradable litter? I guess it’s down to personal opinion but  I found an interesting point of view on this blog and feel happy that our magic charm won’t cause offence as it was entirely made from found natural objects and has probably blown away by now – I just hope it works and brings us a bit of good luck.

Wiltshire has been part of my life since we lived there for a year when I was about 11 (you can see the funny little etching I made when I lived there in this old post) It’s funny to think that it is now Sara’s “home” and my brother has lived there for over 20 years too.

The Wiltshire landscape is such a contrast to the Lake District, with enormous skies and smooth rolling hills dotted with isolated clumps of trees- sacred groves and mounds- and in my mind it is always summer and we areaways slightly too hot!. Sara and I swam in the river at Lacock again (shoals of tiny fish, fresh water mussels and damsel flies but also a lot of litter and still burning barbecues which breaks my heart) and also treated ourselves toa swim at Bristol Lido ( my birthday present ) which made me very happy. Another version of me- the one with the money and rosy stone villa in Clifton- could quite happily live in Bristol, and spend my days down the allotment growing vegetables, before an evening swim and tapas at the Lido. It’s fun to pretend.

Back in the mountains the rain has returned, which in a way is good because it means I have no distractions from work. I really have got to start thinking about how much work I will need for Art in the Pen next month and how I’m going to display it. Everything needs to fit in to my ancient VWGolf and be easy for me to construct on my own with a dodgy shoulder and those wobbly heirloom ladders I’ve mentioned before. I got myself a credit card reader specially and keep meaning to test it by charging Rupert for his supper but instead I get regular e-mails from iZettle along the lines of ” we notice you haven’t accepted any payments yet…can we help?”- well yes actually, I want to reply, you could buy some artwork thank you very much, just a card would do 😉 If all else fails I’m going to batch bake pizza and cakes to sell to passing walkers; I even have a sticker that says which major credit cards I accept, it’s like playing shops!

Some new prints have emerged including the Fell Pony, which is actually my friend’s pony Rocky, and more owls with various bits of added stitching. My adventures cyanotype continue with no two days or two prints the same. I sometimes get disheartened when I struggle to achieve the same results in each print, as you might if it were Lino printing or etching for example, but I’m slowly forcing myself to accept that the beauty is in the variability and that is what has kept my interest in the process. As part of Cumbria Printmakers I’ll be taking part in an exhibition at The Witham, Barnard Castle, opening on the 22nd June. The exhibition will include lots of information about the techniques used by the group members and the unique way each person works. Cyanotype seems to be very much in vogue at the moment, with some wonderful examples and experimental techniques popping up as I browse Instagram; I really do have to keep reminding myself sternly that it is just a tool that each person will use differently and smack down that doubting voice that keeps telling me others do it “better”.

Now it’s time I went to retrieve the print I left soaking in the bath and try to light the fire because unlike this picture of Castle Crag with velvet fields and blue skies, today is so wet I couldn’t even get out of the door and Rupert has been canoeing with a group on the lake so might need to dry his socks…

Reading: Ernest Journal Issue 6    Listening To: a leaking gutter overflowing into a galvanised watering can ( any music suggestions welcome…)

Only Numbers

I got a notification yesterday from WordPress congratulating me on NINE years of blogging! Today my writing desk is the bench behind the house where I’m baring my pasty limbs for the first time this year and dazzling the birds with their alabaster hue. Its not peaceful out here, it’s a riot of activity and sensations – blazing sunshine, blustery wind battering the trees and blowing sycamore flowers on to my keyboard, birds seeing who can sing the loudest and the scent of bluebells, sappy green ferns and azaleas.There is a squeaky branch somewhere that sounds like the horn on a clown car and a helicopter circling the fell; I know I’d be more comfortable inside but it’s dark in there and we people of Northern Britain tend to panic that the sun will never shine quite like this again and so across the land pale people are turning rapidly pink ( “like Strawberry Mivi’s”  Rupert likes to say).

Since I last wrote I have become 50. It was all pretty traumatic because I haven’t really accepted adulthood yet and milestone birthdays are an introspective time for everyone aren’t they… am I where I expected/hoped/planned to be in my life, what does the future hold, unhealthy comparisons with others and of course a dose of guilt for good measure because I’m here and others are not. Not for the first time I realised that what miss more than anything is friendship and most vitally the friendship other women who have known me as a young woman as I enter a new phase in my life- our lives. Anyway, some pretty lovely things happened too and once I’d stopped sulking like a baby it all seemed like a fuss over nothing.

My parents had arranged for us to meet them in Morecambe so that we could stay in the Midland Hotel, an amazing Art Deco building that I last saw when it was a derelict ruin in the 90’s (when I went to a WOMAD festival in the town). I thought they were mad. Morcambe is not the Riviera of the North but maybe it should be… the views across the bay to the Mountains were breathtaking and the hotel had been beautifully restored so that it felt like being in an ocean liner. Lying in bed I could only see the sea and sky (and Poirot which we had to watch because an episode was filmed there). A favourite detail was the Eric Gill map mural which is really very special and made me feel very sentimental about the Lake District. We watched a film of the town in it’s heyday and in particular it’s huge open air pool which has since been filled in: it seemed like such an innocent time, before I suppose air travel made holidays abroad more appealing and the idea of sunbathing on the North West coast less so. The legacy of our night at the Midland has been that this song, from the vintage film, has been stuck in our heads to the point of madness… listen at your peril!

Back home it feels as though the year is on fast forward and while I’ve completed all the wholesale orders from BCTF I’ve now got to start working on some new pieces for the exhibitions I’ll be sending work to later in the year as well as Art in the Pen which is in July and August. I bought myself an A3 printer so I can now make some small affordable prints as well as making digital transparencies for my cyanotypes. Lots of fun and experimenting and hopefully some sales to keep the wolf from the door.

This birdhouse design started out as a big A1 size sketch I did of the nest box outside the window. I taped the paper to the glass and forced myself to draw even though I kept having to walk away and drink coffee and have words with myself about motivation and self confidence, I think it shows that despite feeling at the time as though the drawing was rubbish and that I was useless and stuck in a rut, the end result was really satisfying. I know I need to learn from this and the lesson is “draw more and don’t be so mean to yourself”.

Here is the original sketch and my attempts to make a garden …

Well now the sun has moved around the house and the goose pimples are making me look like an anaemic hedgehog so it’s time to go inside and make some coffee… or maybe I just need to go and admire the way the light is filtering through those ferns up the lane…

May is such a beautiful month.

Reading: ” The Curious Charms of Arthur Pepper” by Phaedra Patrick ( a lovely surprise random act of kindness from my friend Leti) and a book about th Midland Hotel.

Setbacks and Sideways Stars …

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Today I have spent quite a lot of time standing next to the wood stove with my hands on the tin kettle, trying to warm them up enough to type or attempt another cyanotype print. Cold paws are really upsetting when you want to do things with them other than cradle mugs of hot coffee or rest them on the smooth kettle which radiates heat like a warm, bald head. I know I should go outside and brave the icy wind and occasional snow flurry so that I feel warm in contrast on my return… but my outdoor motivator is in Scotland doing winter mountain things and, since I have the house to myself, the plan was to get a lot of work done. Cheerfully, this blog post is about work, vulnerability and failure… because I recently heard someone on the radio say something along the lines of ” Success teaches you nothing, failure is valuable because that is how you learn”.

love owls design by Kim Tillyer

Perhaps it’s something about January and February … all the muses are stubbornly hibernating and those over optimistic resolutions made in the warm flush of New Year seem forgotten, especially in the disturbing dawn of the Trump era. For a long time – as long as I’ve been keeping this blog/journal/thing – I’ve been conflicted about the need to present a jolly, polite, professional public face, so that I might sell work/get a job and pay bills, and the real desire to share the gritty, uncomfortable bits because they are real life, they are the “cracks that let the light in” according to Leonard Cohen. I’ve talked about it before… the fear of over sharing, of being to open, of being the one who doesn’t realise their skirt is tucked in their knickers until they get home from the party. Anyway this week I had the rare treat of spending a lot of time with other artists, in various real life, coffee -and -cake situations. Lots of talking and sharing, encouraging and admitting to hopes and fears as well as comparing the realities of working days and financial concerns lurking behind the forced grin of social media profiles. I also read this wonderful blog by The Pale Rook which I only hesitate to share because it’s so good you’ll probably forget to come back and read my jumbled offerings.

Tree House

Here are some of the things we asked ourselves (in the context of our creative practises) … if you had a million pounds to invest and guaranteed success, what would you choose to do? If you didn’t have to think about selling your work to make a living what kind of work would you make? Is it harder for women to be artists in a single minded way or are we hobbled by some weird domestic guilt that persists even though we can apparently “have it all”? and even the dreaded question “are you an artist?”

Well I didn’t say there were any answers but in having the conversations I reflected on how I feel about where I am at the moment. In a world where there is too much of everything (except peace and kindness) and a bombardment of visual images from all directions, is there room for me and is it important to have a message – are the “decorative arts” just as valid?

from the winter garden

And so to failure… in an upbeat way. Have you ever had a cup of Yogi tea? The teabags all have little words of wisdom on them and the one taped into my planner says “Share your strengths not your weaknesses” (which may contradict everything I just said but never mind this isn’t a dissertation) I’m writing this down so that I don’t forget this lesson … it is strength that takes you back to your work over and over again, despite setbacks and minor disasters; what makes artists weird and superhuman is that they don’t stop, and can’t even if they wanted too. What is visible to the outside world, whether it’s a masterpiece of modern art, a book of poems, a hand thrown pot or a greetings card with a sketchy fox on it, is only the tip of a huge iceberg. Under the surface are a thousand failures, experiments with technique, frustrated walks when the landscape seems to taunt you with your lack of ability to capture what you want to say. Days when the coffee tipped on the drawing board or, for me this week, when a whole batch of prints on fabric washed completely away for no apparent reason leaving me with cracked dry hands and a pile of soggy calico. A whole day’s work crumpled in the sink, a new idea potentially on the scrap heap. I beat myself up and feel like a useless creature, tell myself nobody else is as hopeless, look at other people’s beautiful flawless work and weep…  but the next day I’ll do it all again, solve the problem (a batch of calico with a coating of some sort that reacted with the cyanotype chemicals) and try to take heart from what I know to be true; it takes a kind stubborn courage to keep putting yourself through this. That is why creative people, in all disceplines, are a valuable asset to society, even when they keep odd hours or struggle with tax returns or appear to be constantly barking up the wrong tree …they are the ones who look at life sideways and glimpse the stars you can’t see if you look at them directly.

Jump for Joy Etsy Greetings C

And so, today instead of feeling guilty because I haven’t made a print or finished editing the catalogue for BCTF, or sold the week’s quota of cards on Etsy, I’m going to accept that sitting by the fire on a freezing Sunday in February is perfectly acceptable thing to do.

Reading:-“Swing Time” Zadie Smith ListeningTo: A Little Princess by Frances Hodgson Burnett on Radio4.  Inspiring Websites: Two of the artists who I spent time with last week were Penny Hunt and Jane Carlisle Bellerby

 

A Week of Rainbows

“I’m so glad I live in a world where there are Octobers.” this quotation from “Anne of Green Gables seemed like the perfect opening line as I sit here musing about Autumn and October for the 9th year of writing this blog. The week began with the most perfect Autumn days, the kind that leave you with that chilly, fresh, energised feeling that I’ve only experienced before after emerging from a perfect swim in cold water… or a certain kind of bubbling, chemical induced excitement which I’ll pretend I’ve only read about. The air feels and smells different and it’s quieter here now that the summer is over; it’s a golden time before the winter begins. I’ve been taking stock, looking back at previous Octobers and thinking about the future.

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The week was especially special because I had a pretty magical day out with my son. Normally whenever Jake visits me here in the Lakes it’s raining but this time it was warm and fizzy with light and colour. We drove over to Ullswater and Aira Force which I’d never seen before; it was beautiful – beams of sunlight through amber ale coloured pools, diamond droplets caught on moss and shifting rainbows hovering above the falls. There were also lots of acorns which I find it hard to resist childishly stuffing my pockets with when I’m out walking, but Jake told me I had to leave them for the squirrels (who were sensibly hiding from the tourists).

drawing

Ae well as wandering about constantly marvelling at the wonder of this place I’ve found myself living in I’ve been busy preparing work for a couple of really lovely galleries and their winter exhibitions. A set of cyanotypes with embroidered details- including this owl- went of to Emporium Gallery in Lichfield last week and tomorrow I’m off to the big city of Lancaster to deliver work to Arteria for their Hygge exhibition. As my  three month stint as guest artist at Cherrydidi in Keswick comes to an end I’m hoping to fill the gaps by really concentrating on my online shops which now include Artfinder for framed and mounted originals.

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Now, the cat is beaming messages at me about something ( probably biscuits) and Rupert has suggested I meet him from his cycle ride at Crummock Water with the wetsuits so I’ll reluctantly leave you for now (and next time I’ll let you know whether swimming in a northern lake after sunset in October was a good idea… it doesn’t feel tempting from my cozy velvet cushioned nest just now). x

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Listening to : Actually I couldn’t listen in case I got cross but I sent an e-mail which was read out on this radio programme about evictions. I also listened ( and danced about) live to the Carl Cox session from the closing event at Space which felt odd , alone in my house but connected by the magic of internet!

Honesty, Owls and the value of things.

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I’m back in my box room nest with a mug of freshly brewed coffee, while the autumn wind shakes the Sycamore tree outside the window. I’ve been in that edgy, change of seasons mood lately; not sleeping well, writing whole novels in my head in the small hours, only to forget that perfect opening sentence and the motivation to capture it,  as soon as I’m properly awake. An owl has been calling in the branch right outside the bedroom and I imagine that it could look in through the arrow slit windows and see me, sleepless and lost in a world of memories, half baked plans and good intentions. I hear it screeching “terrrr-wit” and wait for the answering whispery “hoooo” that sounds as if it could be coming from right next to me, perched on the headboard like in Mr Magnolia by Quentin Blake.

mug by Witchmountain

The fells seemed to turn burnt umber overnight, the air is spicy with autumn scents and my favourite time of year in the Lake District has begun. The only thing I’m missing is the long days that meant there was time to swim after work; as it is we are wondering how long we will be brave enough to brave the cold water (or more importantly the cold wind on the shore as you try to struggle out of your wetsuit in a polite but speedy manner, stumbling about, bent double,often hobbled at the ankles by skin tight neoprene.) It’s ok once you’re in though and I’ve become a big fan of swimming in the rain when the water becomes spiky and textured like sparkling Artex and the raindrops momentarily stay on the surface like little pearls.  I want to be able to paint it, or film it or capture it somehow so I can show you.

Honesty

Back in the “studio”  I’ve been busy getting things ready for a couple of exhibitions. Unsold work has been returned safely and sold work has been invoiced, allowing me to realise that I have made the basic error of royally ripping myself off by paying too much for framing and not charging enough to allow for gallery commission – which in some cases is over 50%. One piece which sold for £175 actually earned me £6 after all expenses!  I am not a businesswoman obsessed with making a fortune but I’m learning the hard way and after discussing this over and over again with other artists and makers the conclusion is always the same… just because we can’t afford the art/craft we love, it doesn’t mean we should devalue our own. A good friend of mine makes beautiful mosaic birds…she cuts the wooden bird silhouette, uses hand picked and cut fragments (often rare glass with precious metals), grouts, seals and adds hanging hooks. Each bird is beautiful, unique and  takes at least a day and a half to make… what is a fair price? We are so used to things being “affordable” by which we usually mean mass produced by low paid workers in other countries, that even in the gift shop where I work I regularly hear people muttering that something is too expensive when it is really a very fairly priced item, mass produced in England! We seem to have lost sight of “value” in anything other than monetary terms. I’m not sure what the answer is.

hand embroidery on paper

Well I do apologise for getting on my soap box as usual, I could tie myself in knots and, being over sensitive and ridiculously passionate I’m likely to slip on the soap and fall flat on my face.  Better to keep stitching and muddling through.

cyanotype and embroidery

Well, its almost time to go hunting in the kitchen for supper and in the hope that Rupert has decided to bake something fabulous to fatten us up for winter. The oven fused all the house electrics last week so we spent last night on the floor with our heads in the oven, fitting a new element and feeling pretty smug about being able to mend stuff. It took two people though, not like the instruction video on Youtube and I felt as though I was channeling Sylvia Plath at one point but honestly, how did people ever know how to do anything before the internet?

velvet owl cushion by Kim Tillyer

I’ve just found out about an exhibition inspired by Alan Garner’s “the Owl Service” book and had just listed this cushion called “She wants to be flowers” in my Etsy shop. It is definitely one of my very favourite books, written in the year I was born, so I’ll be making every effort to visit the exhibition as well as Blackden House. Thanks to Natalie for the information.

Until next time, a belated happy autumn equinox to you all where ever you may be. x

Buttermere sunset

“September’s coming soon, pining for the moon…”

Towaards Blencathra and Skiddaw

“Nourish yourself with grand and austere ideas of beauty that feed the soul… Seek solitude,”  Delacroix.                                                                                          I’ve been wondering what exactly is keeping me from writing more frequently….or making new work for that matter and I can only assume it must be that I now have company in my rural idyll. Solitude is important to many creative people and even though I still have loads of time to myself, only work part time in the day job and have my own small space to retreat to, the balance has shifted now that Rupert is also living and working here. I’m spending less time wandering lonely as a cloud and more time going on mini adventures together after work; more importantly for the writing of this blog, I’m not sitting up all night drinking shed loads of coffee alone with the radio (actually its never been the same since Guy Garvey’s Finest Hour got moved to daytime; I blame the BBC). I must find a new routine and the discipline to go with it because the reality of  living in a draughty barn is that it’s much nicer when there’s company.

rainbow over Crummock Water

Daily routine and self motivation when you’re self employed is a subject that fascinates me because to the outside world it can look like you’re doing nothing and achieving even less… the idea of “working from home” often being a euphemism for laziness or sitting around in your pyjamas. I enjoyed the series of essays in the Guardian called “My Writing Day” which gave an insight into how successful writers actually get stuff done. In contrast my writing “day” means I uploaded the pictures for this post last week, started writing it, got distracted, had to go to work, had house guests and now a week later I have spent most of today looking at the rain, sorting old clothes for the charity shop, half starting an order for a gallery and suddenly deciding to spring clean the bathroom while my computer sits forlorn and resentful next to a pile of neatly cut out prints and calico squares for covering notebooks ( I am dressed though). I assume I’m not alone in behaving like this but it’s hard to tell when you’re halfway up a mountain and only have social media to compare notes with.

Home in the Woods Kim Tillyer

The summer seems to be flying by and some of the exhibitions I’ve been showing work in are almost over before I’ve had a chance to tell you about them. Despite all that  I lost when I was forced to move I have to admit that this year has opened up so many opportunities for me. Until early September you can find these two pieces (and more) in the Byard Gallery, opposite Kings College in Cambridge!  (when I was small I once accompanied my dad on a day trip to Cambridge where he was showing work at the Hobson Gallery; I remember telling him I planned to go to Cambridge, meaning the University of course but this almost makes up for my turning out to be more of a drop out than a high flyer!). There are also prints and jewellery in the Leeds Craft and Design Centre, cards and notebooks in the Leaping Hare Gallery, Easingwold and of course Cherrydidi in Keswick who have a small selection of eveything.

Lakeland Garden Kim Tillyer

A couple of weeks ago I ran my second cyanotype workshop at the Greystoke Cycle Cafe. I have to admit I was dreading it as the forecast was for horrible weather and the forecast was right, it was dark and wet. In the end though, and looking back, I really enjoyed it- and so did they I hope. We managed to make loads of really lovely prints even in low light and with only a very small exposure unit between eight people; braving the weather to rinse prints under a gazebo with a hosepipe. Sometimes it feels a bit mad to be telling people how you make your work but it’s been so satisfying to have students get in touch with images of things they’ve made since the course and know that they were inspired and excited by what they learnt. One of my students was an artist called Tracey Escolme who makes paper cuts, she is part of next month’s C-Art if you are in Cumbria during September. A few people have asked if I’m doing any more courses and I’m hoping Annie will ask me back next summer; I’m also thinking about maybe doing some small half days here (mostly as an excuse to make coffee and cake) so do get in touch if you’d like to be added to a possible list of participants.

witchmountain window

Have you noticed how I’ve been really good and not mentioned swimming? Well I have to just a little because I was pretty brave the other day and swam with Rupert to a little island on Derwent Water called Otterbield Island. Its not far and I won’t be qualifying for the Olympics but it was a small breakthrough in distance and conquering fear- the vertigo of swimming in bottomless dark water. I felt a bit tired and slightly panicky at one point and had to rest on my tow float (I got it for this reason because it allows me a moment to pause and have a word with myself as well as making sure the launch doesn’t run us down) but the water was mirror smooth and the evening was perfect, sunset and moonrise and “Nightswimming” by REM in my head. I also had a fun swim in the River Avon at Lacock Abbey in Wiltshire, with my daughter recently… very different to Lake swimming and one of the best days I’ve had for ages.; a miniature holiday that felt very special.

Wistful in the mountains!

Anyway, the day today is not conducive to swimming today and it’s almost time for tea so I’m going to do a spot of baking and build some extra layers of insulating blubber for my next outing! Here is a rare self portrait of me pondering solitude and creativity by the water a few weeks ago.

Reading:- “The Gap of Time” Jeanette Winterson  Listening To:- Nightswimming REM